Cinema Basement

 A retrospective by Brooks Rich I know Woody Allen is a complicated figure. He is a creep in a lot of ways and some people find his sexual weirdness to be too much. I get that. But on the blog I sometimes like to separate the art from artist. Not always to be sure. Jeepers Creepers will never be covered here because Victor Salva is a useless piece of human garbage. What he did I can't ignore. Allen I can push aside him being weird to cover him now and then. It's hard to write a film blog and not mention a Woody Allen film now and then. The man has some bangers. And I've always wanted to cover this film. The concept is so interesting and Allen post 2000 is fertile ground for Forgotten Film Friday. So let's look at the film and not Allen himself.  Melinda and Melinda is a dual narrative about a woman named Melinda, an underrated and brilliant Radha Mitchell, who shows up unexpectedly at a dinner party in New York. The film questions if life is inherently tragic or comic a...

 A retrospective by Brooks Rich So this was not the big start of John Travolta's career. That would be the classic sitcom Welcome Back, Kotter. But this did elevate Travolta to another level. For any of you going oh come on. This silly movie with a disco soundtrack? Come on, Brooks. Just wait. Have you ever actually seen this? This isn't about disco. Disco just happens to be the music of choice. This about the kind of people who are kings at the dance clubs and then losers the rest of the time. There is a lot of darkness and truth in this film. So if you've never seen it please. Do yourself a flavor and check it out. Just watch it and then come back to read this.  This is a movie about the different types of people we become between our real lives and our weekend lives. Tony Manero is a regular working class guy in a Brooklyn neighborhood, struggling to make ends meet and dealing with his loving but at times overbearing family. He lives in the shadow of his priest brother. ...

 Get your dancing shoes on! Order a Royale with Cheese! Blow millions in an overblown sci-fi disaster built around a weird Hollywood religion! Because for the month of June we are discussing the filmography of the one and only John Travolta. A man saved from being a laughing stock in the early '90s by a director making one of the greatest American masterpiece. A man who then had a stunning run of films before blowing all his goodwill not once but twice. But we of course do not disparage the great John Travolta. We want to celebrate him like we do with all of our monthly subjects. 

 A retrospective by Brooks Rich Lasse Hallstrom is one of those directors I think is incredibly talented but his films normally don't do a thing for me. There just always that comes up short for me, whether its the story or how its shot or the acting or something. Most people will know Hallstrom as the director of What's Eating Gilbert Grape, the breakout role of Leonardo Dicaprio. That is probably my favorite of his films. I know everyone loves Chocolat. Great, enjoy, I think it's lame. But today let's discuss his follow up to The Cider House Rules, his film from 1999 which did very well come awards season, and Chocolat. Both of these films did very well, especially The Cider House Rules. The big reward it got was Best Supporting Actor for Michael Caine. It also won Best Adapted Screenplay for John Irving. This isn't fair to Cider House Rules but I think it's overrated as far as nominations go. 1999 is one of the greatest years in cinema and really? We nominate...

 A retrospective by Brooks Rich Sometimes the Academy is right on the money. Occasionally I am confused on why a movie doesn't seem to hit when it comes to awards season. The early trailers come out and it seems inevitable this thing will be an awards player. No doubt in anyone's mind this is an Oscar player. Here's an awards film. This was the case when the first trailers for Amelia came out. A biopic about the world famous aviator starring two time Academy Award winner Hilary Swank? This thing can't miss. Spoiler alert. It missed. Amelia didn't crash and burn when it came to awards seasons. It didn't get off the runway. OK. I'm done with the plane puns. So the rest of the article is cleared for takeoff. Ok. Now I'm done. The first problem is the movie is just kind of boring. Nothing really happens beyond just the beats of her life. There is nothing that feels cinematic about it. Mira Nair is a wonderful person I'm sure but her direction just comes ...

 The Academy Awards. That time of the year when everyone debates what movies are truly the best and there is never a consensus and no one is ever happy. A movie can be incredibly popular and then it wins a bunch of Oscars and suddenly it's overrated and not very good or downright bad. It happens every year. But for the month of April let's take a look at those films that had Oscars on their mind and instead fell flat on their faces. Now Oscar Bait is a term that can also be applied to winners or films that did score a bunch of nominations. For example Bradley Cooper's film Maestro is very much an Oscar Bait movie even though it had a decent awards season. I want to talk about the films that did nothing. That were early contenders then either faded away eventually or just plain crashed and burned. Oscar Bait's biggest failures. What wrong here with these? Was the movie poor? Did something else just have a dominant run? Or were politics involved? Maybe all of the above. S...