Skip to main content

Oscar Bait month: Amelia

 A retrospective by Brooks Rich

Sometimes the Academy is right on the money. Occasionally I am confused on why a movie doesn't seem to hit when it comes to awards season. The early trailers come out and it seems inevitable this thing will be an awards player. No doubt in anyone's mind this is an Oscar player. Here's an awards film. This was the case when the first trailers for Amelia came out. A biopic about the world famous aviator starring two time Academy Award winner Hilary Swank? This thing can't miss. Spoiler alert. It missed. Amelia didn't crash and burn when it came to awards seasons. It didn't get off the runway. OK. I'm done with the plane puns. So the rest of the article is cleared for takeoff. Ok. Now I'm done.

The first problem is the movie is just kind of boring. Nothing really happens beyond just the beats of her life. There is nothing that feels cinematic about it. Mira Nair is a wonderful person I'm sure but her direction just comes across as flat to me. It's so by the numbers that it becomes dull. It doesn't even have that entertainment of so bad it's good. Nair directs it in such a paint by numbers way that is just becomes a shrug of a movie. An icon like Amelia Earhart deserves more than that and critics and audiences thought so as well. 

Even if it the movie doesn't do much itself sometimes a great performance can still make some buzz come awards season. A beloved actor or actress playing a real life person is like cat nip to the academy. Hilary Swank had already won two Best Actress Oscars so it was more then likely she would get nominated. But her performance as Earhart is nowhere near as good as her performances that won. Million Dollar Baby is not my favorite film but I can't deny she brings power and vulnerability to her role in that. And the film was the darling of the season so she just rode the wave to her second Oscar win. 

But her standout performance is Boys Don't Cry. This is one of those rare all time performances. She is just transcendent as Brandon Teena. Personally I think it's one of the ten best performances by an actress of all time. Of course I am not trying to compare Swank's performance as Amelia Earhart to her performance as Brandon Teena. Nothing she ever does will touch that. But there is just something that rubs me the wrong way about how she portrays Earhart. Yes she is doing a good impersonation but for me a good performance of a real life person goes beyond that. It only takes someone so far to do a great imitation. They also need to find a character there and Swank never really does with Earhart. If there was something there she would've cracked one of the five spots for Best Actress that year. The Oscars love past winners and she was still riding high then. But like the movie she was in, Swank never took off. 




Comments

Popular posts from this blog

Forgotten Film Friday: Absolute Power

Clint Eastwood stars as Luther Whitney, a jewel thief who works in the Washington DC area. One night while he is stealing from a mansion he is forced to hide in a secret compartment with a two way mirror. From there he observes a sexual rezendevous with the wife of a powerful man and the President of the United States Alan Richmond (Gene Hackman) Suddenly the president gets aggressive and while defending herself the woman is shot to death by two Secret Service agents. Luther manages to get away with a letter opener the woman stabbed the president with. At first Luther plans to flee the country. But when he is disgusted by a statement the president makes, Luther decides to expose the crime. I miss these kind of films. The nineties was a great time for thrillers exactly like this. They are not the flashiest films but they are also not obsessed with big action scenes. It's all plot and character with them. Sure this plot might be a little out there but Eastwood makes it work. He's...

Oscar Bait month: The Shipping News

 A retrospective by Brooks Rich Lasse Hallstrom is one of those directors I think is incredibly talented but his films normally don't do a thing for me. There just always that comes up short for me, whether its the story or how its shot or the acting or something. Most people will know Hallstrom as the director of What's Eating Gilbert Grape, the breakout role of Leonardo Dicaprio. That is probably my favorite of his films. I know everyone loves Chocolat. Great, enjoy, I think it's lame. But today let's discuss his follow up to The Cider House Rules, his film from 1999 which did very well come awards season, and Chocolat. Both of these films did very well, especially The Cider House Rules. The big reward it got was Best Supporting Actor for Michael Caine. It also won Best Adapted Screenplay for John Irving. This isn't fair to Cider House Rules but I think it's overrated as far as nominations go. 1999 is one of the greatest years in cinema and really? We nominate...

John Travolta month: Saturday Night Fever

 A retrospective by Brooks Rich So this was not the big start of John Travolta's career. That would be the classic sitcom Welcome Back, Kotter. But this did elevate Travolta to another level. For any of you going oh come on. This silly movie with a disco soundtrack? Come on, Brooks. Just wait. Have you ever actually seen this? This isn't about disco. Disco just happens to be the music of choice. This about the kind of people who are kings at the dance clubs and then losers the rest of the time. There is a lot of darkness and truth in this film. So if you've never seen it please. Do yourself a flavor and check it out. Just watch it and then come back to read this.  This is a movie about the different types of people we become between our real lives and our weekend lives. Tony Manero is a regular working class guy in a Brooklyn neighborhood, struggling to make ends meet and dealing with his loving but at times overbearing family. He lives in the shadow of his priest brother. ...