Skip to main content

Halloween Kills

 A review by Forrest Humphrey

Picking up right where “Halloween (2018)” left off, “Halloween Kills” once again drops us in Haddonfield on Halloween night. After thinking she and her family had finally stopped Michael Myers for good, Laurie Strode (Jaime Lee Curtis) and her family are rushed to the hospital. But evil never dies, and when the fire department responds to Lauri's house being on fire, they unwittingly save Myers from what should have been a fiery grave. After brutally dispatching the fire team, Myers goes right back to what he does best; killing everyone in brutal fashion. But this time, the citizens of Haddonfield have had enough, and they mobilize to search the town and finally put Michael Myers down for good. 

That's the basic premise, and its a solid one. Everyone from the previous film returns, but in a neat twist, several other characters from the original film return as well. These include Tommy Doyle and Lindsay Wallace, the kids Laurie babysat in the original film, now grown up and ready to fight. And they got the actors back too, forty years later. Its a great “getting the band back together” moment, especially since John Carpenter himself also returned to do the music. And well, nobody scores a movie like John Carpenter. The music is phenomenal as always. 

The film moves along very quickly, the pacing is frenetic and panicked, but it does know when to slow down and build a scene. The kills flow as one would expect as well, this film doing what many “middle trilogy” films do. Its bleaker and a lot more brutal. This is Michael Myers at what may be his most monstrous, and the effects on the kills are great, though I do slightly prefer the blend of gory onscreen kills and offscreen kills in the prior movie. Still, if you want to see Michael Myers get a nice big body count, this is your movie.

The performances are good all around for the most part, sometimes it can be a little overplayed and silly. I find myself feeling about “Kills” the same way I did about the previous movie. I like it a lot, but there is, on occasion, something really stupid to keep it from really being amazing. It also does slightly suffer from the fact we all know “Halloween Ends” will cap off this new trilogy so you may or may not guess certain things happening. But just like last time, the occasional dud moment doesn't detract from the overall piece too much, and its another solid entry in the “Halloween” revival.

Rating: 3.5/5




Comments

Popular posts from this blog

Forgotten Film Friday: Absolute Power

Clint Eastwood stars as Luther Whitney, a jewel thief who works in the Washington DC area. One night while he is stealing from a mansion he is forced to hide in a secret compartment with a two way mirror. From there he observes a sexual rezendevous with the wife of a powerful man and the President of the United States Alan Richmond (Gene Hackman) Suddenly the president gets aggressive and while defending herself the woman is shot to death by two Secret Service agents. Luther manages to get away with a letter opener the woman stabbed the president with. At first Luther plans to flee the country. But when he is disgusted by a statement the president makes, Luther decides to expose the crime. I miss these kind of films. The nineties was a great time for thrillers exactly like this. They are not the flashiest films but they are also not obsessed with big action scenes. It's all plot and character with them. Sure this plot might be a little out there but Eastwood makes it work. He's...

John Candy month

 What can you say about John Candy? He was a comic genius who was taken from us too soon. There were a lot of comedic heavyweights of the eighties and nineties but Candy stood above most of them. If there is a Mount Rushmore of comedy I imagine John Candy would be on it. For the month of July we are honoring this comic genius. 

Oscar bait month

 The Academy Awards. That time of the year when everyone debates what movies are truly the best and there is never a consensus and no one is ever happy. A movie can be incredibly popular and then it wins a bunch of Oscars and suddenly it's overrated and not very good or downright bad. It happens every year. But for the month of April let's take a look at those films that had Oscars on their mind and instead fell flat on their faces. Now Oscar Bait is a term that can also be applied to winners or films that did score a bunch of nominations. For example Bradley Cooper's film Maestro is very much an Oscar Bait movie even though it had a decent awards season. I want to talk about the films that did nothing. That were early contenders then either faded away eventually or just plain crashed and burned. Oscar Bait's biggest failures. What wrong here with these? Was the movie poor? Did something else just have a dominant run? Or were politics involved? Maybe all of the above. S...