Skip to main content

Just One More Thing: Sex and the Married Detective

 A retrospective by Brooks Rich

Sex therapist Dr. Joan Allenby, a mesmerizing Lindsay Crouse, finds her lover and business partner in bed with her secretary. She decides to murder him by role playing in a dark wig as a woman called Lisa and luring him back to their office where she kills him. She uses her attendance at an event for a music school as an alibi. Things point to this mysterious Lisa initially until Columbo realizes they can't find the victims keys which begs the question, how did the victim and this Lisa get into the office?

Sex and the Married Detective is the third episode of the eighth season, which is the first season of the show's return after what was supposed to be the last episode in 1978. I prefer the original run of the show as there are some moments in the second run that just don't work for me. Whether it's a stupid non-sequitur comedy scene or even a sixty second musical or dance number, it sometimes feels like the writers and producers are trying too hard to do something new. But they also highlight how fantastic Falk is in the role. Some of these moments work thanks to his performance. We buy it. And any that don't work, there's a stupid scene where Columbo plays a tuba in this episode, Falk's buying into it prevents the moment from ruining the episode. 

Besides the tuba non-sequitur there is a lot working in this episode. As I said Crouse is mesmerizing as the killer and her Dr. Allenby is one of the more sympathetic killers of the show. In fact I'd argue she might be the most sympathetic killer in the entire series run. She's legitimately hurt by the betrayal and unlike some other sympathetic killers doesn't killer her victim in a horrific way. 

This episode has one of my favorite soundtracks of the series, especially the sultry and mysterious main track, which perfectly fits the tone of the episode. This is very much a sexual thriller of the '80s and the music and cinematography fits that genre. Columbo the show endured for as long as it did not just because of the brilliance of Falk but because each episode had it's own identity, especially the second run. 

The best thing about this episode is the scenes with Falk and Crouse and its touching how much Columbo seems to like her and vice versa. By the end she considers him a friend and her question of if Columbo thinks less of her hurts. Columbo is genuinely sorry for her at the end but he's a professional and he can't let her go. Their final scene together is fantastic and Falk's final words to her are sweet. There of course are better chess matches with killers in the series but this is one of my favorite due to the fact Crouse never seems annoyed with Columbo, which works for this episode. Their game ends with them still being friends. 



Comments

Popular posts from this blog

Forgotten Film Friday: Absolute Power

Clint Eastwood stars as Luther Whitney, a jewel thief who works in the Washington DC area. One night while he is stealing from a mansion he is forced to hide in a secret compartment with a two way mirror. From there he observes a sexual rezendevous with the wife of a powerful man and the President of the United States Alan Richmond (Gene Hackman) Suddenly the president gets aggressive and while defending herself the woman is shot to death by two Secret Service agents. Luther manages to get away with a letter opener the woman stabbed the president with. At first Luther plans to flee the country. But when he is disgusted by a statement the president makes, Luther decides to expose the crime. I miss these kind of films. The nineties was a great time for thrillers exactly like this. They are not the flashiest films but they are also not obsessed with big action scenes. It's all plot and character with them. Sure this plot might be a little out there but Eastwood makes it work. He's...

John Travolta month: Saturday Night Fever

 A retrospective by Brooks Rich So this was not the big start of John Travolta's career. That would be the classic sitcom Welcome Back, Kotter. But this did elevate Travolta to another level. For any of you going oh come on. This silly movie with a disco soundtrack? Come on, Brooks. Just wait. Have you ever actually seen this? This isn't about disco. Disco just happens to be the music of choice. This about the kind of people who are kings at the dance clubs and then losers the rest of the time. There is a lot of darkness and truth in this film. So if you've never seen it please. Do yourself a flavor and check it out. Just watch it and then come back to read this.  This is a movie about the different types of people we become between our real lives and our weekend lives. Tony Manero is a regular working class guy in a Brooklyn neighborhood, struggling to make ends meet and dealing with his loving but at times overbearing family. He lives in the shadow of his priest brother. ...

Oscar Bait month: The Shipping News

 A retrospective by Brooks Rich Lasse Hallstrom is one of those directors I think is incredibly talented but his films normally don't do a thing for me. There just always that comes up short for me, whether its the story or how its shot or the acting or something. Most people will know Hallstrom as the director of What's Eating Gilbert Grape, the breakout role of Leonardo Dicaprio. That is probably my favorite of his films. I know everyone loves Chocolat. Great, enjoy, I think it's lame. But today let's discuss his follow up to The Cider House Rules, his film from 1999 which did very well come awards season, and Chocolat. Both of these films did very well, especially The Cider House Rules. The big reward it got was Best Supporting Actor for Michael Caine. It also won Best Adapted Screenplay for John Irving. This isn't fair to Cider House Rules but I think it's overrated as far as nominations go. 1999 is one of the greatest years in cinema and really? We nominate...