Skip to main content

A retrospective by Chris Lee

Following up his horror-action success in Terminator (1984) was no small feat for Cameron. He was given the reigns to the Alien franchise from visionary great, Ridley Scott, and produced the high-octane, special-effects heavy “Aliens”. Between these two films, Cameron was able to build the foundation upon which he would construct his greatest work in T2.

Terminator 2 is the movie that all other action movies want to be. A mile-a-minute blockbuster with an action star in their absolute prime, full of incredible in-camera stunts, an award-worthy acting performance from its co-lead, sound and special effects that punched like never before, and a story that refused to hold its audience's hand, all without talking down to them either.

From the opening Robot Apocalypse sequence to the biker bar, to the Mall fight, to the canal chase, to the hospital escape, to the assault on Cyberdyne, to the final battle amongst the molten steel factory from Hell, Terminator 2 fires on all cylinders. There isn’t really much to say about the film more than what has been said. If you asked any action filmmaker working today what action film they would most like to live up to, they’ll be too embarrassed to believe they could ever reach the height of T2, and go with something like Die Hard instead. That I can safely make that prediction only proves my point.

And for any that wish to argue: Die Hard starts with a Christmas Party and an argument between a divorced couple. Terminator 2 starts with a field of skulls and the goddamn nuclear robot apocalypse. 

Case closed.




Comments

Popular posts from this blog

Forgotten Film Friday: Absolute Power

Clint Eastwood stars as Luther Whitney, a jewel thief who works in the Washington DC area. One night while he is stealing from a mansion he is forced to hide in a secret compartment with a two way mirror. From there he observes a sexual rezendevous with the wife of a powerful man and the President of the United States Alan Richmond (Gene Hackman) Suddenly the president gets aggressive and while defending herself the woman is shot to death by two Secret Service agents. Luther manages to get away with a letter opener the woman stabbed the president with. At first Luther plans to flee the country. But when he is disgusted by a statement the president makes, Luther decides to expose the crime. I miss these kind of films. The nineties was a great time for thrillers exactly like this. They are not the flashiest films but they are also not obsessed with big action scenes. It's all plot and character with them. Sure this plot might be a little out there but Eastwood makes it work. He's...

Oscar Bait month: The Shipping News

 A retrospective by Brooks Rich Lasse Hallstrom is one of those directors I think is incredibly talented but his films normally don't do a thing for me. There just always that comes up short for me, whether its the story or how its shot or the acting or something. Most people will know Hallstrom as the director of What's Eating Gilbert Grape, the breakout role of Leonardo Dicaprio. That is probably my favorite of his films. I know everyone loves Chocolat. Great, enjoy, I think it's lame. But today let's discuss his follow up to The Cider House Rules, his film from 1999 which did very well come awards season, and Chocolat. Both of these films did very well, especially The Cider House Rules. The big reward it got was Best Supporting Actor for Michael Caine. It also won Best Adapted Screenplay for John Irving. This isn't fair to Cider House Rules but I think it's overrated as far as nominations go. 1999 is one of the greatest years in cinema and really? We nominate...

John Travolta month: Saturday Night Fever

 A retrospective by Brooks Rich So this was not the big start of John Travolta's career. That would be the classic sitcom Welcome Back, Kotter. But this did elevate Travolta to another level. For any of you going oh come on. This silly movie with a disco soundtrack? Come on, Brooks. Just wait. Have you ever actually seen this? This isn't about disco. Disco just happens to be the music of choice. This about the kind of people who are kings at the dance clubs and then losers the rest of the time. There is a lot of darkness and truth in this film. So if you've never seen it please. Do yourself a flavor and check it out. Just watch it and then come back to read this.  This is a movie about the different types of people we become between our real lives and our weekend lives. Tony Manero is a regular working class guy in a Brooklyn neighborhood, struggling to make ends meet and dealing with his loving but at times overbearing family. He lives in the shadow of his priest brother. ...