Skip to main content

In praise of the room full of Admirals

An editorial by Brooks Rich

The terrorists have seized whatever location they attacked. The hero is currently hiding somewhere, waiting for the right moment to strike. The terrorist leader then contacts whoever is in charge away from the location and lists their demands. More often than not they contact a situation room somewhere that is full of high ranking officials, usually military. I call these rooms "the room full of Admirals" and they were prevalent a lot in '90s action cinema, especially in Die Hard clones. My favorite comes from Under Siege. You can see a picture of the room below.



The room full of Admirals is both an ally to the hero, often in the first two acts, and a danger to the hero in the third act. For example, in Under Siege the room is for the most part working with Casey Ryback to regain control of the seized battleship. But in the third act they send in an airstrike to destroy the ship and prevent the launch of a nuclear missile. Ryback of course stops the terrorists and saves the day but the room of Admirals doesn't do much to help.

That's the thing about the room of Admirals. I love when they're featured in a movie but they generally never do much to aid the hero. It's a room full of bureaucrats who think everything has to be done by the book. They might offer the hero intel on the villains but usually they just sit back as the hero picks off the bad guys one by one, this after they've told the hero to stand down, that he can't possibly help them. Sure. Never mind the hero has probably already killed three or four bad guys.

Sometimes you might even have a third string antagonist working against the hero inside the room full of Admirals. For example Dean Stockwell's character in Air Force One, who keeps trying to execute an executive order to deem the president unfit to lead. There's also General Clegg in Olympus Has Fallen, who never listens to Secret Service John McClane Mike Banning.

The room full of Admirals has a disaster movie counterpart. The best examples of this are Houston in  any space disaster film, such as Apollo 13 and Armageddon. They're fun as well but I prefer the action movie room full of Admirals, especially if it's a Die Hard clone. One of the best parts of an action film is at the end when the room of Admirals celebrates. It drives home how awesome it is that our hero stopped the terrorists and saved the world.

The room full of Admirals will always be something I hold close to my heart. If I see a film has one, I know it's going to be a fun kickass ride to the end. I was so happy when the one in Olympus Has Fallen showed up. It felt like it had been forever since I had seen. So here's to the room full od Admirals, not a requirement for an action movie but it certainly helps.



Comments

Popular posts from this blog

Forgotten Film Friday: Absolute Power

Clint Eastwood stars as Luther Whitney, a jewel thief who works in the Washington DC area. One night while he is stealing from a mansion he is forced to hide in a secret compartment with a two way mirror. From there he observes a sexual rezendevous with the wife of a powerful man and the President of the United States Alan Richmond (Gene Hackman) Suddenly the president gets aggressive and while defending herself the woman is shot to death by two Secret Service agents. Luther manages to get away with a letter opener the woman stabbed the president with. At first Luther plans to flee the country. But when he is disgusted by a statement the president makes, Luther decides to expose the crime. I miss these kind of films. The nineties was a great time for thrillers exactly like this. They are not the flashiest films but they are also not obsessed with big action scenes. It's all plot and character with them. Sure this plot might be a little out there but Eastwood makes it work. He's...

John Travolta month: Saturday Night Fever

 A retrospective by Brooks Rich So this was not the big start of John Travolta's career. That would be the classic sitcom Welcome Back, Kotter. But this did elevate Travolta to another level. For any of you going oh come on. This silly movie with a disco soundtrack? Come on, Brooks. Just wait. Have you ever actually seen this? This isn't about disco. Disco just happens to be the music of choice. This about the kind of people who are kings at the dance clubs and then losers the rest of the time. There is a lot of darkness and truth in this film. So if you've never seen it please. Do yourself a flavor and check it out. Just watch it and then come back to read this.  This is a movie about the different types of people we become between our real lives and our weekend lives. Tony Manero is a regular working class guy in a Brooklyn neighborhood, struggling to make ends meet and dealing with his loving but at times overbearing family. He lives in the shadow of his priest brother. ...

Oscar Bait month: The Shipping News

 A retrospective by Brooks Rich Lasse Hallstrom is one of those directors I think is incredibly talented but his films normally don't do a thing for me. There just always that comes up short for me, whether its the story or how its shot or the acting or something. Most people will know Hallstrom as the director of What's Eating Gilbert Grape, the breakout role of Leonardo Dicaprio. That is probably my favorite of his films. I know everyone loves Chocolat. Great, enjoy, I think it's lame. But today let's discuss his follow up to The Cider House Rules, his film from 1999 which did very well come awards season, and Chocolat. Both of these films did very well, especially The Cider House Rules. The big reward it got was Best Supporting Actor for Michael Caine. It also won Best Adapted Screenplay for John Irving. This isn't fair to Cider House Rules but I think it's overrated as far as nominations go. 1999 is one of the greatest years in cinema and really? We nominate...