Skip to main content

Doctor Sleep

A Film Review by Forrest Humphrey 

In an era where we get far to many sequels nobody asked for in the film industry's desperate bid to play on nostalgia for money, a rare gem sometimes comes along. “Doctor Sleep” is one of those gems. Based on the Stephen King novel of the same name, “Doctor Sleep” had the daunting task of following one of the most beloved horror films of all time, that of course being Stanley Kubrick's “The Shining.” 
What follows is a story about Dan Torrance, the young boy who escaped the Overlook Hotel with his mother, as an adult. Plagued even decades later by his experiences, he has turned to substance abuse to dull his “Shining” and run from the literal ghosts in his past. For those who might not know/remember, “The Shining” refers to the psychic powers possessed by a rare few individuals like Dan and Dick Hallorann from the original novel/film. Cue Abra, a young girl with even stronger powers than Dan, who has run afoul of the True Knot, a cult of psychic vampires who hunt down and feed on kids with The Shining to sustain their immortality. The film then follows the deadly game of cat and mouse between Dan, Abra and their monstrous pursuers.
I wont go any deeper than that, but suffice to say the premise alone got me interested given I love Vampire films and this is, in essence, “What if the sequel to The Shining was also Vampire movie?” 
Director Mike Flanagan had the daunting task of trying to turn King's novel into a sequel to a beloved film that King himself hated due to how different the film was to his original work. But he pulled it off. Make no mistake, this is a sequel to the Kubrick film, and as such there aren't any glaring plot holes to run afoul of since Flanagan spoke directly with King for help on reconciling differences between his script, King's novel and Kubrick's original film. For the most part the film focuses more on Dan, Abra and the Vampires with only the references necessary for establishing our story instead of constantly pandering, and the actors they got to stand in for flashbacks are all spot on, no de-aging CGI was used and the film is much stronger for it. I do think there are certain elements in certain scenes later on that pander a little to hard, but I'll keep it to that vague notion and let others decide for themselves.
Also strengthening the film are the standout performances of Ewan McGregor as Dan, balancing both the fear and abuses Danny suffered as a kid with his efforts to reform and help people, making him a highly sympathetic hero; Kyliegh Curran as Abra in yet another role that breaks the notion that young teens can't work as lead characters with a wonderful blend of youthful naivety and sense of justice while being quite capable; and as our vampire cult leader we have Rebecca Furguson as Rose, a deliciously evil and stylish villain who was a delight to watch. Indeed, we spend a lot of time with the cult, showing their lifestyle and the horrible things they do to feed. They are not at all a “looming menace you never see until the finale”, they are a constant threat and menace to our heroes.
Throw in some lovely cinematography and a notable lack of jump scares to focus on a very different kind of horror: almost entirely on dread, atmosphere and as one can tell from the premise, the fear many adults will have that something is after their children and they cant stop it, and you have a film I highly recommend. Sadly the film under performed, predicted mainly due to its long run time and its status as a sequel to a nearly 40 year old film, but I can still say I'm very happy I took my chances on this. “Doctor Sleep” is a worthy successor to The Shining AND a good vampire flick (just substitute blood for “shining) at the same time. Give it a shot, and Shine On. 

Rating: 4/5


Comments

Popular posts from this blog

Forgotten Film Friday: Absolute Power

Clint Eastwood stars as Luther Whitney, a jewel thief who works in the Washington DC area. One night while he is stealing from a mansion he is forced to hide in a secret compartment with a two way mirror. From there he observes a sexual rezendevous with the wife of a powerful man and the President of the United States Alan Richmond (Gene Hackman) Suddenly the president gets aggressive and while defending herself the woman is shot to death by two Secret Service agents. Luther manages to get away with a letter opener the woman stabbed the president with. At first Luther plans to flee the country. But when he is disgusted by a statement the president makes, Luther decides to expose the crime. I miss these kind of films. The nineties was a great time for thrillers exactly like this. They are not the flashiest films but they are also not obsessed with big action scenes. It's all plot and character with them. Sure this plot might be a little out there but Eastwood makes it work. He's...

John Travolta month: Saturday Night Fever

 A retrospective by Brooks Rich So this was not the big start of John Travolta's career. That would be the classic sitcom Welcome Back, Kotter. But this did elevate Travolta to another level. For any of you going oh come on. This silly movie with a disco soundtrack? Come on, Brooks. Just wait. Have you ever actually seen this? This isn't about disco. Disco just happens to be the music of choice. This about the kind of people who are kings at the dance clubs and then losers the rest of the time. There is a lot of darkness and truth in this film. So if you've never seen it please. Do yourself a flavor and check it out. Just watch it and then come back to read this.  This is a movie about the different types of people we become between our real lives and our weekend lives. Tony Manero is a regular working class guy in a Brooklyn neighborhood, struggling to make ends meet and dealing with his loving but at times overbearing family. He lives in the shadow of his priest brother. ...

Oscar Bait month: The Shipping News

 A retrospective by Brooks Rich Lasse Hallstrom is one of those directors I think is incredibly talented but his films normally don't do a thing for me. There just always that comes up short for me, whether its the story or how its shot or the acting or something. Most people will know Hallstrom as the director of What's Eating Gilbert Grape, the breakout role of Leonardo Dicaprio. That is probably my favorite of his films. I know everyone loves Chocolat. Great, enjoy, I think it's lame. But today let's discuss his follow up to The Cider House Rules, his film from 1999 which did very well come awards season, and Chocolat. Both of these films did very well, especially The Cider House Rules. The big reward it got was Best Supporting Actor for Michael Caine. It also won Best Adapted Screenplay for John Irving. This isn't fair to Cider House Rules but I think it's overrated as far as nominations go. 1999 is one of the greatest years in cinema and really? We nominate...