Skip to main content

Kevin Smith month: Mallrats

A review by Brooks Rich

Kevin Smith's 1995 follow up to Clerks takes on mall culture and is told from the point of view of the people who spend their days at the mall… this is where they solve their problems, try to find their place in the world. Mallrats is deinfetly more comedic than Clerks – though it does have some of the bittersweet musings that come from Dante and Randall's conversations. This film’s two main characters, TS and Brodie, argue about whether the cookie stand is part of the food court or if Lois Lane could carry Superman's child. Like in Clerks, these are important arguments. 

The loose plot revolves around TS and Brodie, Jeremy London and Jason Lee, trying to reunite with their girlfriends. They have just been dumped! They also need to avoid the dreaded mall security guard and the jerk salesman from a men's clothing store – played by a very fun and douchey Ben Affleck. Along the way they enlist the help of Jay and Silent Bob, (my least favorite characters in the film), to help sabotage a dating game type show TS's ex-girlfriend is going to appear on as a favor to her father. 

For awhile this film and Clerks went back and forth as my all-time favorite Kevin Smith film. I now always give the win to Clerks… but Mallrats is a total riot. Clerks was so crude and dark at times and while Mallrats has the language, it doesn't go to some of the bleaker places Clerks does. TS and Brodie are always fun loving characters and they clearly have a goal: get their girlfriends back and sabotage the dating show to spite the father of TS's ex-girlfriend, Brandi. 

Out of the first three films Smith made, this probably the least of them. It feels like an outlier. He would vastly mature for his next film, Chasing Amy, which along with Clerks are his two highest rated films. But Mallrats is a good time and one of Smith's films that I revisit often. 



Comments

Popular posts from this blog

John Travolta month: Saturday Night Fever

 A retrospective by Brooks Rich So this was not the big start of John Travolta's career. That would be the classic sitcom Welcome Back, Kotter. But this did elevate Travolta to another level. For any of you going oh come on. This silly movie with a disco soundtrack? Come on, Brooks. Just wait. Have you ever actually seen this? This isn't about disco. Disco just happens to be the music of choice. This about the kind of people who are kings at the dance clubs and then losers the rest of the time. There is a lot of darkness and truth in this film. So if you've never seen it please. Do yourself a flavor and check it out. Just watch it and then come back to read this.  This is a movie about the different types of people we become between our real lives and our weekend lives. Tony Manero is a regular working class guy in a Brooklyn neighborhood, struggling to make ends meet and dealing with his loving but at times overbearing family. He lives in the shadow of his priest brother. ...

John Travolta month

 Get your dancing shoes on! Order a Royale with Cheese! Blow millions in an overblown sci-fi disaster built around a weird Hollywood religion! Because for the month of June we are discussing the filmography of the one and only John Travolta. A man saved from being a laughing stock in the early '90s by a director making one of the greatest American masterpiece. A man who then had a stunning run of films before blowing all his goodwill not once but twice. But we of course do not disparage the great John Travolta. We want to celebrate him like we do with all of our monthly subjects. 

Forgotten Film Friday: Absolute Power

Clint Eastwood stars as Luther Whitney, a jewel thief who works in the Washington DC area. One night while he is stealing from a mansion he is forced to hide in a secret compartment with a two way mirror. From there he observes a sexual rezendevous with the wife of a powerful man and the President of the United States Alan Richmond (Gene Hackman) Suddenly the president gets aggressive and while defending herself the woman is shot to death by two Secret Service agents. Luther manages to get away with a letter opener the woman stabbed the president with. At first Luther plans to flee the country. But when he is disgusted by a statement the president makes, Luther decides to expose the crime. I miss these kind of films. The nineties was a great time for thrillers exactly like this. They are not the flashiest films but they are also not obsessed with big action scenes. It's all plot and character with them. Sure this plot might be a little out there but Eastwood makes it work. He's...