Skip to main content

Star Trek Sunday: The Search for Spock

A review by Brooks Rich

Leonard Nimoy did not want to come back to the series after Spock died in The Wrath of Khan. Spoiler. So they let him direct the follow up film to Wrath of Khan, which is the film we're talking about today, and the film after that, The Voyage Home. Yeah the one with the whales. Nimoy is a very good director because this film is fantastic. Not as good as The Wrath of Khan but still a very good film.

The Enterprise has returned after their run-in with Khan. Kirk is still grieving the death of Spock and finds the Enterprise is being decommissioned, considered a relic of the past now. However Spock's father Sarek arrives and informs Kirk that Spock has transferred his spirit to Dr. McCoy, who has been acting strangely. On the Genesis Planet the Device has brought Spock back to life and he is rapidly aging from an infant to a full grown man. His mind and body must be brought together so Kirk and his crew steal the Enterprise and head for the Genesis Planet. Waiting for them is Kruge, the hostile leader of a Klingon Bird of Prey who is interested in the Genesis Device.

This might seem obvious but the star of this film is William Shatner. He is so good as Kirk in this one. He really shows Kirk to be a great leader and kind of a badass. Shatner would get a little full of himself down the line, good God just wait till he directed one of the films, but in this film he really shows the leadership and courage we expect from Kirk. I was most taken by that when I rewatched this for the blog. I forget how good Shatner can be as Kirk. There's a reason this character is considered a legend in television history. A lot of that is due to Shatner's performance.

It's hard to have a good villain after the brilliance of Ricardo Montalban in The Wrath of Khan. That's always the problem with the sequel of a film that has a memorable villain. Christopher Lloyd does a great job as the villainous Kruge. His goal is similar to Khan's, he wants the Genesis Device, but he doesn't have that vendetta against Kirk. Instead he has the warlike behavior that came whenever the Klingons were villains. The makeup effect is great on the Klingons in this. They maybe never looked better than they do here. In the following series they looked a little too much like eighties hair metal bands. Poison opening on a Klingon Bird of Prey.

In the film Kruge calls out the Federation for creating such a powerful weapon. He argues it's a breach of the treaty the Klingons have with the Federation. He has a point. The power to create life like that might not be something a single government should have. One of the interesting points in The Search for Spock is the Genesis Device is a failure. One of the scientists on the project cut corners and so therefore the Genesis Device is unstable and anything created by is destroyed in a few hours.

I really like this film. It's a great action film and has one of the most shocking moments of the film series. I won't spoil it here. Kirk is still a badass even when he does that. This film has the misfortune of following up one of the greatest science fiction adventure films of all time. This is a really good movie and one I think gets unfairly maligned. Out of all the odd numbered Star Trek films, it's the best one.

Rating: 4/5


Comments

Popular posts from this blog

Forgotten Film Friday: Absolute Power

Clint Eastwood stars as Luther Whitney, a jewel thief who works in the Washington DC area. One night while he is stealing from a mansion he is forced to hide in a secret compartment with a two way mirror. From there he observes a sexual rezendevous with the wife of a powerful man and the President of the United States Alan Richmond (Gene Hackman) Suddenly the president gets aggressive and while defending herself the woman is shot to death by two Secret Service agents. Luther manages to get away with a letter opener the woman stabbed the president with. At first Luther plans to flee the country. But when he is disgusted by a statement the president makes, Luther decides to expose the crime. I miss these kind of films. The nineties was a great time for thrillers exactly like this. They are not the flashiest films but they are also not obsessed with big action scenes. It's all plot and character with them. Sure this plot might be a little out there but Eastwood makes it work. He's...

John Travolta month: Saturday Night Fever

 A retrospective by Brooks Rich So this was not the big start of John Travolta's career. That would be the classic sitcom Welcome Back, Kotter. But this did elevate Travolta to another level. For any of you going oh come on. This silly movie with a disco soundtrack? Come on, Brooks. Just wait. Have you ever actually seen this? This isn't about disco. Disco just happens to be the music of choice. This about the kind of people who are kings at the dance clubs and then losers the rest of the time. There is a lot of darkness and truth in this film. So if you've never seen it please. Do yourself a flavor and check it out. Just watch it and then come back to read this.  This is a movie about the different types of people we become between our real lives and our weekend lives. Tony Manero is a regular working class guy in a Brooklyn neighborhood, struggling to make ends meet and dealing with his loving but at times overbearing family. He lives in the shadow of his priest brother. ...

Oscar Bait month: The Shipping News

 A retrospective by Brooks Rich Lasse Hallstrom is one of those directors I think is incredibly talented but his films normally don't do a thing for me. There just always that comes up short for me, whether its the story or how its shot or the acting or something. Most people will know Hallstrom as the director of What's Eating Gilbert Grape, the breakout role of Leonardo Dicaprio. That is probably my favorite of his films. I know everyone loves Chocolat. Great, enjoy, I think it's lame. But today let's discuss his follow up to The Cider House Rules, his film from 1999 which did very well come awards season, and Chocolat. Both of these films did very well, especially The Cider House Rules. The big reward it got was Best Supporting Actor for Michael Caine. It also won Best Adapted Screenplay for John Irving. This isn't fair to Cider House Rules but I think it's overrated as far as nominations go. 1999 is one of the greatest years in cinema and really? We nominate...