Skip to main content

The best of 2018: A Quiet Place

A Quiet Place (2018, Directed by John Krasinski and starring John Krasinski, Emily Blunt, Millicent Simmonds, and Noah Jupe)

A review by Chris Lee
A Quiet Place (2018, Directed by John Krasinski) is the kind of film that comes along, like the antagonist during the run-time of most creature features, every once in a while to thrill, scare, and zap our imaginations with fright. The second film from John Krasinski, also acting alongside his wife, Emily Blunt is a horror classic I can recommend to anyone, even if you aren’t a fan of the genre.
Krasinski tackles the proceedings with the kind of steady, knowing hand you would expect from auteurs 5-10 years into their game. It’s impressive.
The premise revolves around the global appearance of an otherworldly threat that tracks its prey via sound, and how survivors of this invasive threat survive in a world where making noise is fatal. Apparently the things stalking the film’s characters can hear the heartbeat of a mouse from a mile away, which makes for some stellar scenes of nail-biting tension, but does raise some logical issues that you’ll have to, and likely be more than happy to, overlook.
Krasinski and Blunt are tasked with carrying the entirety of the film, as the only two veteran actors, on their backs. Krasinksi brings an unexpected fatherly stoicism and warm masculinity appropriate for the part. Blunt is given an okay amount to do, and spends all of it proving why she’s the most versatile actress working today. The actors playing their children, Simmonds and Jupe, do fine work here and mostly don’t fall into the tired trope of annoying kids. They’re capable, listen to their parents (aside from expected young insolence), and even get some impressive action beats themselves to keep the tension rolling and hold it aloft admirably.
Krasinski leads the audience along an astoundingly quiet piece of cinema that makes its few sounds just as much stars as its actors. A particularly intense sequence towards the film’s climax has you nearly reaching for your ears in hopes that, like the monsters, the noise you’ve been quickly and expertly conditioned to fear goes away quickly.
Beautiful cinematography, steady pacing, magnetic performances, and some impressive, sparingly used special effects come together to create an excellent creature feature that will leave all but the most jaded audience members inching toward the edge of their seats. 
Here’s looking forward to more from John Krasinski, if this is what he can give us right out of the gate.

4/5

Comments

Popular posts from this blog

John Travolta month: Saturday Night Fever

 A retrospective by Brooks Rich So this was not the big start of John Travolta's career. That would be the classic sitcom Welcome Back, Kotter. But this did elevate Travolta to another level. For any of you going oh come on. This silly movie with a disco soundtrack? Come on, Brooks. Just wait. Have you ever actually seen this? This isn't about disco. Disco just happens to be the music of choice. This about the kind of people who are kings at the dance clubs and then losers the rest of the time. There is a lot of darkness and truth in this film. So if you've never seen it please. Do yourself a flavor and check it out. Just watch it and then come back to read this.  This is a movie about the different types of people we become between our real lives and our weekend lives. Tony Manero is a regular working class guy in a Brooklyn neighborhood, struggling to make ends meet and dealing with his loving but at times overbearing family. He lives in the shadow of his priest brother. ...

Forgotten Film Friday: Melinda and Melinda

 A retrospective by Brooks Rich I know Woody Allen is a complicated figure. He is a creep in a lot of ways and some people find his sexual weirdness to be too much. I get that. But on the blog I sometimes like to separate the art from artist. Not always to be sure. Jeepers Creepers will never be covered here because Victor Salva is a useless piece of human garbage. What he did I can't ignore. Allen I can push aside him being weird to cover him now and then. It's hard to write a film blog and not mention a Woody Allen film now and then. The man has some bangers. And I've always wanted to cover this film. The concept is so interesting and Allen post 2000 is fertile ground for Forgotten Film Friday. So let's look at the film and not Allen himself.  Melinda and Melinda is a dual narrative about a woman named Melinda, an underrated and brilliant Radha Mitchell, who shows up unexpectedly at a dinner party in New York. The film questions if life is inherently tragic or comic a...

Ranking every Tintin comic

A ranking by Brooks Rich In order to expand the blog a little, we'll sometimes cover other media besides films. Film will still be our bread and butter but the blog will also cover tv, music, comics, books, and other forms of media. To start it off I will be ranking all 21 main comics in a beloved series of books form my childhood, The Adventures of Tintin. Created by Belgian cartoonist Herge, Tintin, who has literature's greatest cowlick, is a reporter who travels the world with his faithful dog Snowy, the best fictional dog of all time, chasing bad guys and sticking his nose in other's affairs. Tintin is often joined on his quests by Captain Haddock, his most trust human sidekick. I credit Tintin and the Hardy Boys for my current love of mystery novels. Ranking the 21 main Tintin comics is far more doable than ranking the original Hardy Boys runs. As a quick note I will not be counting the unfinished Tintin and Alph Art or Tintin in the Land of the Soviets or Tint...